321. AFTER GIOVANNI BATTISTA PIRANESI (1720 – 1778). OBELISCO EGIZIO FROM VEDUTE DI ROMA, AND FOUR OTHERS.
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321. 4511097. AFTER GIOVANNI BATTISTA PIRANESI (1720 – 1778). OBELISCO EGIZIO FROM VEDUTE DI ROMA, AND FOUR OTHERS.
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321. 4511097. AFTER GIOVANNI BATTISTA PIRANESI (1720 – 1778). OBELISCO EGIZIO FROM VEDUTE DI ROMA, AND FOUR OTHERS.
Description
The first inscribed with text, black & white engraving, 55cm x 40.5cm (pl), (78cm x 62cm including frame).
together with four others:
'Veduta interna del Sepolcro di S. Costanza', approximately 43.5cm x 55cm (pl), (64.5cm x 77cm including frame).
'Veduta del Tempio della Sibilla in Tivoli', inscribed with text and collector's blindstamp, black & white engraving, 42.5cm x 64cm (pl.) (64cm x 85.5cm including frame.)
'Veduta di Castel Sant'Angelo', extensively inscribed with text, black & white engraving, 43.5cm x 56.5cm (pl) (74cm x 86cm including frame).
And another after Rossini Luigi (1790-1857), Veduta del Pantheon di Agrippa, inscribed, black & white engraving 46.5cm x 65.5cm (pl) (74cm x 92cm includng frame).
(5).
Condition
Crease across centre with some slight restoration to left hand side margin, light foxing to paper in places, strength of image down somewhat.
Veduta interna with Slight creasing in top margin, some browning to edges, otherwise strong image.
Veduta del Tempio with Extensive staining to sky and foreground
Veduta di Castel Sant'Angelo with centre crease with some restoration to top margin beside crease otherwise good.
Rossini Luigi with some foxing to the image, particularly to the top left hand corner and further time staining to margins.
321. 4511097. AFTER GIOVANNI BATTISTA PIRANESI (1720 – 1778). OBELISCO EGIZIO FROM VEDUTE DI ROMA, AND FOUR OTHERS.
Description
The first inscribed with text, black & white engraving, 55cm x 40.5cm (pl), (78cm x 62cm including frame).
together with four others:
'Veduta interna del Sepolcro di S. Costanza', approximately 43.5cm x 55cm (pl), (64.5cm x 77cm including frame).
'Veduta del Tempio della Sibilla in Tivoli', inscribed with text and collector's blindstamp, black & white engraving, 42.5cm x 64cm (pl.) (64cm x 85.5cm including frame.)
'Veduta di Castel Sant'Angelo', extensively inscribed with text, black & white engraving, 43.5cm x 56.5cm (pl) (74cm x 86cm including frame).
And another after Rossini Luigi (1790-1857), Veduta del Pantheon di Agrippa, inscribed, black & white engraving 46.5cm x 65.5cm (pl) (74cm x 92cm includng frame).
(5).
Condition
Crease across centre with some slight restoration to left hand side margin, light foxing to paper in places, strength of image down somewhat.
Veduta interna with Slight creasing in top margin, some browning to edges, otherwise strong image.
Veduta del Tempio with Extensive staining to sky and foreground
Veduta di Castel Sant'Angelo with centre crease with some restoration to top margin beside crease otherwise good.
Rossini Luigi with some foxing to the image, particularly to the top left hand corner and further time staining to margins.
Lawrences Auctioneers present their Autumn Fine Art Sale. The auction includes a fine art, period furniture and collectables.
The sale is led by English silver spanning the Georgian through the Edwardian periods. Among the highlights are a George I silver marrow scoop by William Toone and a George II Hanoverian pattern silver soup ladle by Ebenezer Coker.
The Asian art section includes porcelain an early Thai Sawankhalok ware bottle, along with a collection of snuff bottles and ceramics including chargers.
The auction also features a selection of jewellery and watches, including diamond solitaire rings, period brooches set with sapphires and rubies. Modern wristwatches are on offer alongside 18th and 19th century gold and silver pocket watches.
An eclectic mix of paintings and prints are included in the catalogue, ranging from 17th century Old Master engravings to 19th century European school landscape and portraits, as well as contemporary works.
The furniture section boasts includes English and continental pieces, with emphasis on mahogany and walnut from the Georgian and Victorian eras. Decorative arts include fine mantel clocks, glassware and period bronze figures.
Finally, the collectables section presents an assortment of items, including historical ephemera and royal interest.